According to the ancient commentaries, Iliad 21.195 was omitted by some sources, thereby making Acheloios, instead of Ocean, the origin of all waters, including the sea: the reasons for and the date of such a version of the text have been debated. In this paper 1 argue that the version without line 195 actually represents the earlier textual stage. This role of Acheloios is paralleled in the poem interpreted in the Derveni papyrus, and some features of Acheloios' cosmological function, as (...) well as his iconography, find interesting parallels in the Near East. As a 'cosmic' figure, Acheloios was in competition with Ocean, and is only rarely so represented in later preserved texts. His function as the origin of all fresh water and the source of all springs was more persistent, probably due also to his cultic role in Dodona: this, too, is probably reflected in another ancient variant for the text of Il. 16.234. (shrink)

Dealing with fragmentary texts is an unavoidable task for anyone working on the Greco-Roman world with the awareness that only a tiny portion of the texts produced in antiquity has survived the perilous process of transmission. Since the Renaissance, generations of scholars have painstakingly collected and sifted quotations, paraphrases and allusions in later authors and grammatical sources, laying the foundation for our knowledge of large parts of that lost world. More recently a spectacular increase was made possible by the papyrological (...) discoveries. Even so, after centuries of explorations in this field, the evidence provided by the indirect sources and, in particular, by the still partly unpublished troves of medieval lexicographical excerpts and compilations is far from having been exhaustively exploited. (shrink)

Existe uma tensão entre Teoria e História: “[...] a poesia é mais filosófica e de caráter mais elevado que a história, porque a poesia permanece no universal e a história estuda apenas o particular” (Aristóteles, 2007, 43). Esta afirmação de Aristóteles talvez tenha sido a primeira indicação da referida tensão entre as duas formas de conhecimento: a histórica e a teórica. Na citação acima, a filosofia é a referência de um pensamento hierarquicamente superior, sendo que sua legitimação enquanto tal passa (...) pela universalidade de suas verdades. É importante salientar que a poesia nesta reflexão aristotélica é uma forma de conhecimento, embora difira da história no que concerne à matéria do conhecido: na primeira, o fato poderia ter acontecido; na segunda, aconteceu. Porque aconteceu, o fato é singular, e que poderia ter acontecido cai no âmbito do universal. Neste sentido, a chave para a compreensão da tensão entre história e teoria é a universalidade ou singularidade do conhecimento adquirido: “[...] é evidente que não compete ao poeta narrar exatamente o que aconteceu; mas sim o que poderia ter acontecido, o possível, segundo a verossimilhança ou a necessidade. O historiador e o poeta não se distinguem um do outro, pelo fato de o primeiro escrever em prosa e o segundo em verso [...]. Diferem entre si porque um escreveu o que aconteceu e o outro o que poderia ter acontecido” (Aristóteles, 2007, 43). Ao situar a história em nível menos elevado que a poesia, Aristóteles parece ter suscitado em pensadores contemporâneos a ideia da distinção entre conhecimento histórico e conhecimento teórico. O presente estudo versa sobre a natureza do conhecimento histórico e seus impasses metodológicos no uso dos referenciais teóricos necessários às suas indagações fundamentais. (shrink)

O objetivo deste trabalho é estudar a relação que se estabelece entre as características da fenomenologia filosófica, a natureza do conhecimento que dela deriva e o modo como interfere sobre a produção do conhecimento em comunicação. Em primeiro lugar, observa-se a concepção de comunicação como processo transmissivo desenvolvida pelos clássicos estudos de mídia ou pelos processos de comunicação de massa. Em seguida, aproximam-se comunicação e semiótica como campos epistemológicos que, embora desenvolvam mútuas influências científicas, são, não raro, considerados áreas científicas (...) distintas atualmente, observa-se a emergência de outras bases de reflexão que podem aproximar a comunicação e a semiótica, enquanto áreas científicas. (shrink)

What is science? What is the distinction between scientific knowledge and living science, science of experience. Peirce's pragmatism. The scientific dimension of Peirce's categories: deduction, abduction, induction. Induction as a connection between the abductive hypothesis, that is only probable and the generation of a deductive and indispensable law that characterises behavior habits.Que é ciência? A distinção entre conhecimento científico e ciência como coisa viva, ciência da experiência. A dimensão científica das categorias de Peirce: dedução, abdução, indução. Pragmatismo peirceano. A indução (...) como elemento de ligação entre a hipótese explicativa abdutiva apenas provável e a geração de uma lei dedutiva, necessária porque normativa para hábitos de conduta. (shrink)

Although the desirability for Italian princes and those who emulated their social practices to construct rooms specifically dedicated to the performance of music was specified by Paolo Cortesi in his treatise De cardinalatu at the beginning of the sixteenth century, the identification of these dedicated spaces and in particular of the repertories performed within them is fraught with difficulty. Beginning with Isabella d'Este's various studioli, this chapter considers what can be reconstructed about the provision of such rooms within the ducal (...) palace in Mantua. In so doing, it draws upon inventories, archival documents and the iconography of a number of decorative schemes, finishing with the work of the architect Giovan Battista Bertani, to suggest what can be determined about the shape and internal disposition of the rooms themselves. (shrink)

Over the past decade, research has revealed biomolecular condensates' relevance in diverse cellular functions. Through a phase separation process, they concentrate macromolecules in subcompartments shaping the cellular organization and physiology. In the nucleus, biomolecular condensates assemble relevant biomolecules that orchestrate gene expression. We here hypothesize that chromatin condensates can also modulate the nongenetic functions of the genome, including the nuclear mechanical properties. The importance of chromatin condensates is supported by the genetic evidence indicating that mutations in their members are causative (...) of a group of rare Mendelian diseases named chromatinopathies (CPs). Despite a broad spectrum of clinical features and the perturbations of the epigenetic machinery characterizing the CPs, recent findings highlighted negligible changes in gene expression. These data argue in favor of possible noncanonical functions of chromatin condensates in regulating the genome's spatial organization and, consequently, the nuclear mechanics. In this review, we discuss how condensates may impact nuclear mechanical properties, thus affecting the cellular response to mechanical cues and, eventually, cell fate and identity.Chromatin condensates organize macromolecules in the nucleus orchestrating the transcription regulation and mutations in their members are responsible for rare diseases named chromatinopathies. We argue that chromatin condensates, in concert with the nuclear lamina, may also govern the nuclear mechanical properties affecting the cellular response to external cues. (shrink)

This special issue brings to the attention of the scholarly community some of the common features and some of the subtle, but important, differences between Francis Bacon's and Giovan Battista Della Porta's ways of dealing with the reading, selecting, enacting, and recording of recipes. Focusing on questions of genre, intellectual and material context, strategies of research, and strategies of performing recipes, the four papers of this special issue address two major issues. First, they shed new light on the (...) relationship between Della Porta's Magia naturalis and Francis Bacon's Sylva sylvarum. Second, they show that in the recording of their experimental practices, Bacon and Della Porta depart from the traditional “recipe format” and discover new avenues of experimental research. (shrink)

S. Tommaso occupa un posto di enorme importanza nella Storia della Metafisica. Ma la sua è una dottrina originale, o una rielaborazione della metafisica aristotelica e di quella neoplatonica? Per rispondere a questa domanda il P. Battista Mondin, con il suo solito stile chiaro ed essenziale, nella Prima Parte del volume presenta le principali interpretazioni della metafisica di S. Tommaso; nella seconda espone approfonditamente le caratteristiche e le grandi ricchezze della concezione metafisica dell'Aquinate, nei suoi vari aspetti: Tommaso e (...) la metafisica aristotelica; le proprietà della metafisica; la conoscenza dell'essere; il linguaggio antologico di Tommaso; la metafisica dell'essere e la sua struttura ontologica; l'analisi delle cinque vie per conoscere l'esistenza di Dio; i nomi divini e il problema dell'analogia, i trascendentali, la creazione e la provvidenza. (shrink)

Persae et Magi omnes qui Persicae regionis incolunt fines ignem praeferunt et omnibus elementis ignem putant debere praeponi. The Persians and all the Magi who dwell in the confines of the Persian land give their preference to fire and think it ought to be ranked above all the other elements.Iulius Firmicus Maternus was a Latin writer who lived in the fourth centurya.d. In the 340s, following his conversion to Christianity, he wrote theDe errore profanarum religionum, which has been preserved only (...) in the tenth-century manuscript Vaticanus Palatinus Latinus 165. In this work he argues against the pagan cults, calling for the emperors to suppress them. The first sections are dedicated to the pagan worship of the natural elements: objects of a cult are water among the Egyptians, earth among the Phrygians, air among the Assyrians. The chapter we are dealing with, the fifth, is dedicated to fire, a central element of the Zoroastrian religion. Greek and Roman writers, pagans and Christians alike, were aware of this, and references to some sort of fire-cult among Persians are numerous in literature and are found as early as Herodotus. Just like Firmicus Maternus, some authors also state that the Magi worship fire as a god or divine element and that they conduct fire-related rituals. In Greek and Latin authors there is a view that the Magi, these specialists of the rituals of the Persian religion, were originally a Median tribe. As shown by the passages of Ammianus and Basil, such knowledge was also available to Firmicus Maternus’ contemporaries, and there do not appear to be particular differences in the way in which Greek and Latin authors viewed the Magi in Achaemenid and Sassanid times. Regrettably, one cannot know for certain which of these sources Firmicus Maternus knew. (shrink)

Le livre refermé, le lecteur peut avoir l’impression d’avoir littéralement accompli une promenade à cheval dans la culture française du xixe siècle. Culture au sens large, qu’elle soit littéraire, philosophique, politique, scientifique ou visuelle, qu’elle touche aux loisirs ou à l’étude. Tout fait source : les idéologues, les écrivains, les peintres, la presse illustrée, la photographie (peut-être nénamoins sous-estimée), les affiches, le théâtre, le cirque, les rituels sociaux populaires ou...

Dizionario che comprende più di 700 voci e temi estratti dal pensiero di san Tommaso d’Aquino. Per ogni voce si traccia, innanzitutto, lo sviluppo del pensiero precedente a Tommaso per far capire l’originalità e la novità del suo contributo, e poi si espone in modo esauriente il suo pensiero, attingendo da tutte le sue opere, e in particolare dal Commento alle Sentenze e dalla Somma Teologica. Un ottimo primo libro alla scoperta di questo grande autore, insieme a La Somma Teologica (...) in Compendiodi Giuseppe Barzaghi. (shrink)

Daniel K. Finn’s Moral Agency Within Social Structures and Culture: A Primer on Critical Realism for Christian Ethics (Moral Agency for short) contributes well to the mutual enrichment of critical...

The relationship between Francis Bacon's Sylva sylvarum and Giovan Battista Della Porta's Magia naturalis has previously been discussed in terms of sources and borrowings in the literature. More recently, it has been suggested that one can read these two works as belonging to a common genre: as collections of recipes or books of secrets. Taking this as a framework, in this paper I address another type of similarity between these two works, one that can be detected by looking (...) at the methods of reading, research, and enacting and recording recipes one can find in Bacon and Della Porta. I show that essential to the two approaches was the complex interplay of practices associated with enacting recipes, and that these influenced the ways in which Della Porta and Bacon recorded their experiments. Creative manipulation of the recipes transformed them into something new. In the case of Della Porta's second edition of the Magia naturalis, this new format is something I call “technologies,” that is, ways of recording the enacting of recipes with the intention to ensure repeatability and predictability of results. In the case of Bacon, the enactment aims at something different: to display and “bring to light” the hidden motions and processes of nature. (shrink)

Comme la nova de 1604 et les trois comètes de 1618, qui engagèrent Galilée et les jésuites du Collège romain dans un long débat, la comète de 1664 a relancé la curiosité et l'attente des astronomes et des astrologues. L'article analyse quelques aspects de ce débat européen, en se focalisant sur l'observatoire de l'école de Santa-Lucia de Bologne, où Giovan Battista Riccioli et ses «associés» avaient, depuis longtemps, développé une activité expérimentale connue dans toute l'Europe pour sa précision. (...) Il étudie ensuite la renaissance des scientiae mediae, c'est-à-dire principalement la géographie et l'hydrométrie, en cherchant à éclairer les conditions socioculturelles dans lesquelles de nouvelles figures professionnelles, comme celles de l'ingénieur et du technicien, ont pris naissance dans la Bologne du XVIe siècle. (shrink)

SUMMARYThis essay considers a book that Giovan Battista Manso intended as a public gift to Philip IV of Spain. The book is Manso's Erocallia, published in Venice in 1628 with a dedication written by the author and addressed to the Spanish king. While the book ostensibly contains twelve dialogues on love and beauty, these subjects are treated as universal principles encompassing encyclopaedic spectra of knowledge. I wish to argue that the two prefatory letters, alongside the structure or ‘arrangement’ (...) of the book, contribute to its value as a gift text in accordance with Early Modern codes of patronage exchange. The letters included a dedicatory letter from the author to the king, and an additional letter to Manso from the poet Marino. They respectively praise Philip IV's providence and Manso's foundation of the Accademia degli Oziosi, while alluding to Manso's dependence on the king's good government without which the academy would not have been able to prosper. The use of Ramist methods in the arrangement of Erocallia further added to its value as an instantly recognisable demonstration of the encyclopaedic scope of the book's content, and thus a means of showing the king the fruits of his providence in Naples. (shrink)